Miscellanea and Ephemeron
06/21/2006 Archived Entry: "Video review: Para Para Max: The Moves 101"
Review by Leigh Anne Wilson
I have to confess I know virtually nothing at all about anime. My kids were too little for the Pokemon mania, so the most exposure I have to it is watching Hayao Miyazakiís Spirited Away. This is a little like saying Iím qualified to review movies because I watched Citizen Kane once.
This means I had to do a little research, and I do mean little, about the subject so could at least get a working definition of what is a huge, already much-discussed topic. When poking around on the internet, I learned that anime dancing is a huge industry in Japan, and most of the A list musicians record music for Japanese cartoons, which in turn becomes a big part of Japanese pop music. It doesnít really seem too dissimilar from, say, Radio Disney, which plays Nathan Lane singing ďHakuna Matata.Ē Itís just that thereís a lot more focus on that sort of thing in Japan, it seems.
Because of that, it isnít a surprise that special club dances were created for anime music, and thatís where Para Para Max comes in.
The Para Para dance craze swept Japan around 1999-2000, which means Iím at least six years behind in my Japanese pop culture knowledge. This is fine, because you would expect a fat Midwestern housewife to be exactly six years behind any popular trend, so reviewing an instructional DVD for a dance craze that was peaking more than half a decade ago sounds just about right.
In Para Para dancing, there are specific, preset movements for each song that everyone does at the same time. Wikipedia makes the comparison to line dancing, which is true, but itís slightly more complicated. Itís sort as if ďAchy Breaky HeartĒ had its own dance with unique hand gestures signifying homage to the mullet, and all of Toby Keithís songs would include a simulation of giving Karl Rove a blowjob.
Para Para Max: The Moves 101 slowly leads the viewer through four songs performed by pop star Yoko Ishida. The dance instructors, Mike and Randy, take turns breaking each song down to distinct parts, each with its own terminology.
The first option you can select has Mike and Randy facing the viewer, which makes it slightly confusing when youíre trying to learn the moves and have to remember when itís time to use the right arm and when itís time to use the left. Fortunately, they also offer a mirroring option. Getting the arms right is important if youíre going to bring your mad Para Para skillz to a club, but since my performance was going to be restricted to my living room, I didnít really care.
We popped in the DVD and tried to learn the first featured the techno pop song ďA Cruel Angelís Thesis.Ē I stood in the middle of the group, with the three-year-old on one side and the six-year-old on the other. We worked on the moves for about an hour, with a lot of rewinding and repetition, and let me just say this: OUCH.
Oh my god. Ouch.
An hour of holding your hands up over your head and waving them around in different patterns hurts. The kids did a lot better than I did, of course, but for me it was a serious upper body workout. (The lower body gets toned with low impact aerobics, since in Para Para dancing, you either donít move your feet, or you limit yourself to stepping side to side.) Donít believe me? Try this first lesson.
When Steve came home from work, we all lined up and made him sit next to the TV, (to better keep an eye on the Para Para Dancing Girls) and performed our ďCruel Angelís ThesisĒ dance moves for him. He was a very appreciative audience, I must say, even though he declined an opportunity to watch us again.
The next day when the kids asked if we could do Para Para Max dancing again, I was all for it. I think if I follow the DVD every day for a month, not only will I have the dance moves of a thirteen-year-old Japanese girl, Iíll have the ass of one, too.
Replies: 1 Comment
Thanks, Leigh Anne, you must have the upper arms of a Goddess by now. Am I jealous? Oh, perhaps.
Posted by Ginger @ 06/21/2006 09:44 PM PST
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